By Kole Omotoso. Originally published on guardian.ng
E jawo ninu apon ti ko yo!
E lo gb’omi ‘la kana!
Desist from the pursuit of a blind alley!
Follow the path of humane possibilities! Continue reading
An angry Ayi Kwei Armah seems to be delighting in rubbing in his disdain for the acknowledged father of the African novel, Chinua Achebe, in a new collection of essays titled Remembering the Dismembered Continent .
Best known for his 1968 debut novel The Beautyful Ones Are Not Yet Born, Armah reproduces in the collection two sarcastic letters he wrote Achebe in response to Achebe’s critique of Armah in one of the essays in Achebe’sMorning Yet on Creation Day (published in 1975). Continue reading
Writer Ify Asia Chiemeziem is accusing Nollywood producer Reginald Ebere of stealing her story for his movie | Photo: Abubakar Adam Ibrahim
In continuation of the controversies that have rocked the creative industry, as 2016 rolled in, a Nigerian writer, Ify Asia Chiemeziem, is accusing Nollywood producer, Reginald Ebere, of intellectual property theft having purportedly stolen the story in one of her e-books for a film he recently produced. Daily Trust reports. Continue reading
Nigeria’s dominance of the literary scene in Africa in terms of prizes won is not in doubt. The country has won every available international prize on offer – from the Commonwealth to the Caine, the Booker and the Nobel Prize and more.
But observers have begun to worry over the country’s poor showing in a homegrown literary competition originating from the continent. In its third year in a row since the telecommunication company, Etisalat Nigeria, instituted the pan-African Etisalat Prize for Literature in 2013, Nigeria’s fiction writers have failed to win the prize. Instead East and South African writers have continued to hold the aces. Continue reading
In the literary world, Cyprian Ekwensi is a household name. This holds true particularly for the volume of work he churned out within the corpus of African literature. He was a very good story teller, especially of the urban tale, that many people see him as a better story teller than the Nobel laureate Wole Soyinka or even the more famous novelist, Chinua Achebe. In stark contrast, John Tafida can be considered a nonentity. He is not even popular in the region (Northern Nigeria) where he was born and bred, and where Hausa, the language he wrote in is the unofficial lingua franca. The world knows very little about Tafida, who lived in the obscure Wusasa quarters in Zaria and wrote, perhaps, only one book in a vernacular. All these disadvantages robbed him of a chance to popularity and even a recognition for Pulitzer or Booker Prize, or some other award. In another contrast, the two did not even write in the same medium (language), and there was no clear evidence their paths ever crossed. Continue reading